Welcome to this behind-the-scenes look into the construction of the Mythica. Here, we’ll be showing you, the Author and Ally, a deeper look into what we’re doing, so you’re better informed on how we can witness this shared World, together.
Core to the Mythica is the way we present our information.
To do this, we work with a language that blends all manner of media into a storybook format, a series of modern-day hieroglyphs which we are calling ‘hyperglyphs’, in which the way-of-the-telling, the mixture of words, icons, illustrations and hyperlinks all serve a much larger educational function, opening portals of curiosity for the Reader to go deeper, to explore more of the ever-expanding World of the Mythica.
To do this, we work with a language of modern-day hieroglyphs which we are calling ‘hyperglyphs’, in which the way-of-the-telling, the mixture of words, icons, illustrations and hyperlinks all serve a much larger educational function, opening portals of curiosity for the Reader to go deeper, to explore more of the ever-expanding World of the Mythica, and in so doing, go deeper into the as-yet-undiscovered country within their own Divine embodiment.
Through this action, they engage in an exploration of their own self, exploring the as-yet-undiscovered country within their own Divine embodiment, coming to see the beauty of their own experience of personal totems, symbols and ways of being along their sacred Path.
Here, each element gains new relevance, where images are used throughout all iterations of the platform to bring the Reader into new territories. In the example above, when you click on the highlighted area, it takes you to the reference point on the timeline of the characters, blending the graphic novel and the timeline into a seamless play of reference.
Through this languaging, we’re helping the Reader to see the more subtle layer to their experience by outlining the nature of one’s individual timeline as both a singular heroic journey and a collective one, where we expand our vision past the individual to the much larger tapestry of threads within the Great Story of humanities unfoldment.
This style of presentation is fundamental to both the Author and Reader’s experience, for the contemplation of both words and pictures creates a certain effect in the consciousness, inspiring a language of remembrance. Here, we show both the painting and the poetry of existence, phrasing things in a language of clarified symbolism which, by virtue of it’s presentation in a digital medium, allows us to use the images with the words as portals, symbolic rabbit holes of entry into the underlands of one’s experience.